Related Paintings of unknow artist :. | margareth bromsen | The image of the Archangel | Portrait of Stanislaw Teczynski. | vaggmalning i sodra rada kyrka | Tax money |
Related Artists:
Bela Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
Jan Stanislawski
(June 24, 1860, Olshana near Korsun - January 6, 1907, Krakew) was a Polish modernist painter, art professor, originator and member of various art groups and societies. Initially, he studied mathematics at Warsaw University (1879 - 1882), and subsequently at the Imperial Technical Institute in St Petersburg. He began to learn painting in the so called Drawing Class (which later gave rise to the School of Fine Arts) in Warsaw under Wojciech Gerson. In 1883, he enrolled in the School of Fine Arts in Krakew. In 1885, he continued his studies in Paris under Charles Emile Auguste Durand. While based in Paris, he travelled much, visiting Italy, Spain, Switzerland, Germany, Austria, and also Ukraine. His early works were exhibited at the inauguration of the Salon du Champ-de-Mars in Paris in 1890 and at the Friends of the Arts Society in Krakew in 1892. In the 1890s, he travelled extensively and his sketchbooks filled up with drawings from Berlin, Dresden, Prague, Krakew, and various places in Ukraine. Together with Julian Fałat, he painted the landscape parts of Napoleones Army Crossing the Berezina, a panorama by Wojciech Kossak. In 1897, he initiated and helped organise the Separate Exhibition of Pictures and Sculptures at Krakewes Cloth Hall. That year, he become a teacher of landscape painting at the School of Fine Arts in Krakew, and in 1906 - after the school was upgraded to an academy in 1900 - was granted full professorship and also taught at Teodor Axentowiczes Private School of Painting and Drawing for Women and at Teofila Certowiczes Art School for Women in Krakew. He co-founded the "Sztuka" ("Art") Society of Polish Artists in Krakew in 1897. Later he became Deputy Chairman and finally Chairman of that society, and showed his works at numerous exhibitions organised by it. In 1898, he became a member of the Viennese Secession, and his works were exhibited among theirs in 1901, 1902 and 1905. In 1901, he became a founding member of the Polish Applied Arts Society. He worked in the Wawel Castle Reconstruction Committee and was involved in the activities of the Green Balloon (Zielony Balonik) Cabaret. After his death, two exhibitions were opened at the Palace of Art in Krakew in November 1907, one to show 154 of his oil paintings, as well as drawings and watercolours, and the other to present the works of his numerous outstanding students.
fanny ekbom
male model on a barrel 1882